Monday, September 26, 2011

ON ASPECTS CONCERNING PITHRU THARPANAM

I do not profess to have the knowledge to clarify on your doubt, but can say only one thing.  While vedhas are only a collection of mantras for worship and performance of rituals, Shastras and Sootras define the process in which the worship is to be conducted.  This is followed by Sampradayas which is nothing but what the community follows and further down is the Kula and Kutumba achara, which is followed by the particular family.  While following religious rites one should follow the Kula achara since it is ordained by our forefathers as being most suitable for the family in question.  You would observe that some people perform the shrarda and tarpana wearing the pundarikam (vibuthi or namam) and some others not wearing the same.  This is kula sampradayam which needs to be followed assiduously.  So whatever ones parents or forefathers were following, the same practice needs to be followed in such rituals as Pitru pooja.

Now, conventionally achamanam and sankalpam should always be performed facing east or north only. In Tarpanam and Shrardam, the tip of the koorcha is placed facing South, the direction of the Pitrs. As it would be inconvenient to change directions mid way of performing the rituals, according to me (please forgive me for repeating that I am a novice in this) the ritual should be performed by the karta sitting facing the eastern direction.  Only during the Pinda pradanam made during Shrarda one faces south. The convention is that one should go down on the right knee  and offer the Pinda pradanam as well as the Vayasa Pindam (Pindam offered to the crow) facing south.

Profound regards,

OM TAT SAT

Sunday, September 25, 2011

NAVARATHRI

NAVARATHRI, THE NINE DAYS OF DEVI 

        Navarathri or the nine nights is a very auspicious period for Hindus. In the north it is celebrated as the period of the war between Ravana and Sri Rama whose victory is celebrated on the 10th day called vijaya Dasami.  Moving to the east it is Durga Puja time with the worship of Mother Durga as the vanquisher of the demonic forces of Mahishasura, Shumba and Nishumba. In the south again it is predominantly the worship of Devi in her more benign form of Tri Shakti – Maha lakshmi, Maha Kali and Maha Saraswati. It is time for fasting, fun and frolick in the west which celebrates the Rasa lila of Lord Krishna with garbha and dandia dances and observance of austerities to propitiate Radha Krishna.
       
        According to shastras there are at least three Navarathris – Vasantha Navarathri which is celebrated during the period of March - April and culminates with the celebration of Sri Rama Navami; Ashada Navarathri which falls during June – July (the month of Adi as per the Tamil calendar) and the Sharada Navarathri which occurs during the months of September – October. Sharada Navarathri is the one celebrated as most auspicious for Devi worship as its fame is expounded by none other than Devi Herself in the great Devi Mahatmyam.  The Goddess is worshipped as Chandika Parameshwari whose form embraces Her three swaroopas as Maha Kali, Maha Lakshmi and Maha Saraswathi.

        The period of Navarathri is considered to be very auspicious throughout the country. In the north it is dedicated to Lord Rama and his vanquishing the demon Ravana to redeem Devi Sita from her plight. It is a battle of good over evil where the good triumphs.  Ravana the great grandson of Brahma Deva himself became unruly after he got the boons from the Creator that neither demon nor deva could kill him.  He thought that man was too weak and foresaw no threat from the humans. The Lord incarnated as Sri Rama, the son of Dasaratha of Ayodhya and got himself banished from the kingdom by the wily queen Kaikeyi who wanted her son Bharata to become the king by claiming from the old king Dasaratha two boons – one that her son should become the king and that Sri Rama should be banished from the kingdom for fourteen long years.

        Sri Rama along with his consort Sri Sita and his brother Laksmana entered the dandakaranya forest where they rid the forests of the demons Kara and Dhushana who were step brothers of the mighty demon king of Lanka Ravana.  Hearing about the beauty of Sita from his sister Surpanaka who was chastened by Lakshmana for intruding on the privacy of Sri Rama and Sita, Ravana took Sita captive and held her in his fortress in Srilanka.  With the help of vanaras like Hanuman and Sugreeva and the king of bears Jambavan, Sri Rama crossed the mighty ocean and killed Ravana and his brothers and sons in a fierce battle that raged for 9 days and reclaimed Sita Mata. 

        The entire episode of Ramayana is a drama performed by the divine to show humanity about the vanity of sensual pleasures which Ravana represents. Ravana was otherwise a highly erudite scholar who could win over the Supreme Lord Shiva by his penance and sama gana.  His prowess was such that he could even move the great mountain Kailas with the intent of uprooting the same with the Lord dear to him and to establish the divine mountain in his abode at Srilanka.  So, in the fitness of things Sri Rama enacted the play of being banished from the kingdom and spent about 13 years in the forests and suffered the pangs of separation from his beloved wife Sita just to build up a valid reason to combat Ravana. Sri Rama is the Maryada Purursha a beacon to all mankind.  Ramayana parayana is done during the Navarathri and on the 10th day, Vijayadasami the annihilation of the demonic forces in the form of Ravana and his mighty army that lead us away from our self is celebrated by enactment of Ravana vadha by burning his effigy and the union of Sita with Sri Rama depicting the union of the self with the supreme is contemplated.

        Sri Krishna, the Supreme Lord Maha Vishnu’s poorna Avataram, spent His childhood in the company of the gopas and gopis of vraja at Brindavan.  The playful Krishna enchanting the gopis and make them pine for Him shunning their familial duties is the theme of Rasa leela.  The gopis represent the entire creation which pines for union with the supreme energy.  In the rasa leela Krishna dances with the gopis and suddenly does the vanishing act. He is then seen with one gopi. When the other looks at this with envy, He is by her side too and there are as many Krishnas as there are gopis.  What else can more explicitly describe that the Lord is with each one of us irrespective of our attainments. 

        Sri Krishna Radha leela vibuthi is to be understood in the context of the interplay of the Supreme Purusha and Prakriti (nature).  God created this universe  for His enjoyment and took the form of Parama purusha and Prakriti came along as mother nature to give Him company. Radha Ma is not mentioned in the Bhagavatham after Sri Krishna departs from Brindavan to Mathura nor does the Lord turn back to her when he is established as the prince of Mathura.  It is so because both the Purusha and Prakriti are complete in themselves with wherever Radha is there is Krishna and with Krishna there is always Radha – the concept of the inseparable Shiva – Shakti.

        In the land of Sri Krishna, Gujarat, Navarathri is celebrated as the period of Ras.  The womenfolk  undertake fasting and offer prayers to Radha – Krishna and dance with the menfolk like the gopis did eons ago expressing their love for the Lord.  Garbha means the womb or denotes pregnancy.  The dance is performed around an earthen vessel containing an earthen lamp which represents the Supreme Shakti Devi Durga who is the sister of Sri Krishna.  The dance is performed by going around in circles around the central lamp which represents that the Shakti moves all around Her while she Herself is unmoving. 

        Dandiya raas is another form of dancing performed with striking of sticks held in the hands of the dancers to the rhythm of dolak beat. Again, like in the Garbha, the dancers move around an earthen lamp or image of goddess Durga kept in the centre.  Some say that the sticks represent swords and the dance is an enactment of the Goddess fighting the evil forces of Mahishasura.

        Durga Pooja is the most colourful of festivals of East India.  The preparations start months in advance with the artisans taking clay from the Ganges river for making images of the Goddess which is beautifully decorated in Pandals where puja is offered from the sixth day of Navarathri till Vijaya dasami (Bijoya). The theme is Mahishasura vada. Chandi paat, the recitation of Devi Saptasathi (700 slokas of Devi Bhagavatham which recounts the avirbhavam of Devi as Maha Kali, Mahalakshmi and Maha Saraswathi) is conducted in the households and in the Pandals and pushpanjali is offered to the Deity.  The evening Aarti performed to the Devi’s image is something out of this world with the priest waving the lamp in front of the image to the reverberating drum beats.  On the Vijaya dasami day people greet each other with Shubo Bijoya in celebration of Devi’s victory over the asuras.  It is a tearful farewell for the wonderful images of the Devi on the vijaya dasami day when the women folk dance around the image and smear vermillion on the cheeks of one another.  The images are then taken in a procession and immersed in the Ganga returning the Devi to where she came from.

        In the south Navarathri is celebrated by special poojas and havans performed in Temples and Muts. Sri Chandi homam is always performed on the Maha Navami day, the ninth day of Navarathri.  The first three days are dedicated to the worship of Goddess Maha Kali or Durga.  The next three days are the days of Goddess Maha Lakshmi and in the final three days are worshipped Goddess Saraswathi.  Householders decorate their houses with beautiful motifs and kolams (Rangoli). They build a gallery where idols of various Gods and Goddesses as well as other objects are exhibited. This is called kolu which means to hold court (darbar).  Normally the kolu is kept in five, seven or nine steps.  A sacred pot containing water or rice decorated with mango leaves and coconut is kept on the top step. It is customary to keep the idols of Devi in the second step from the top, the various avatars of Lord Maha Vishnu on the third step.  Various idols representing Ramayana and Maha bharata, the foremost of the epics of India are kept along with the forms of other gods and goddesses.  Figures of humans and animals are also displayed which makes one feel that the entire creation ranging from Gods to insects are permeated with divinity.  The women folk dress up for the evening and invite their friends and relatives to come and see the display.  Different types of Sundal (a delicacy made from pulses) is made every day and distributed to the visitors as Prasad.  Turmeric and Kumkum are given to the sumangalis who come and compulsorily made to display their musical knowledge.  It is fun time for the children in visiting the kolus of their neighbours and running around the house to the accompaniment of the rustling of their silk skirts. 

        On the Maha Navami day Saraswathi pooja is performed when all the books and instruments are kept near the kolu and worshipped as the embodiment of the Goddess of Learning.  On the tenth day, the books are ceremonially opened and read with the belief that with the blessings of the Goddess of Learning one will not be found wanting in studies.  Vijayadasami is also celebrated as Ayudha pooja, the time for worshipping all sorts of machines and tools like what the Bengalis do on Vishwakarma pooja day.  All the machinery and equipments including vehicles are cleaned and decorated with sandal paste and flower garlands.  Truly the Indian way of paying respect to ones tools emphasizing that divinity does not stop with only animate objects and that it is very much present in inanimate objects as well.

        In Karnataka Navarathri is celebrated as dussera with the king of Mysore (Mahishoor), the place believed to be the spot where Goddess Durga killed Mahishasura, observing austerities and offering pooja at the Sri Chamundeeswari temple.  The dussera procession of the king visiting the temple of Chamundeeswari in all his regal splendor is something worth watching in the years of yore before royalty gave way to democracy.

CHANDIKESWARAR

OM SHRI GURUBHYO NAMAHA

 CHANDESWARA NAYANAAR

"Salutations at the feet of Chandeswara who cut the feet of his father with the axe"
- Sundarar Thevaram
           
            Thirucheignallur or Thiru CheiNallur is a small town on the banks of Maniyaar one of the tributaries of theriver Cauvery. It is situated near Thirupanandaal which houses a famous shivitemutt.  The town itself is credited tohave been created by Vishwakarma at the behest of Lord Subrahmanya who it isbelieved stayed overnight in the place and worshipped the Lord Shiva and hencethe name Thiru (divine) Chei (child) Nallur (good place). Thirucheignallur wasonce upon a time the abode of families that were steeped in Vedicpractices.  The town will reverberatewith the chants of the Vedas and auspicious smoke will come out of the houseswhere daily agnihotram (fire sacrifice) is performed.  There will always be a meeting of the learnedto discuss on the various aspects of the Vedas (vidwat sadas) and the entiresurroundings transported one back into the Vedic times.

            In this town was born a child ofgreat good fortune in the family of a Vedic scholar Echa Dattan and his wifePavitrai. In Tamil, the word Lakshmi sometimes gets corrupted to Echumi and soEcha might have been a corrupted form of Laksmi, or otherwise too it means thatwhich remains (echam = sesham) after consumption of the whole. Pavitrai, as the name suggests was a very purewoman who worshipped her husband and was very much attuned to the religiousrites followed in the family.  Theparents named their child as Vichara Sharman meaning one who is adept in raisingquestions which the child probably did as he grew up, in its unwavering questfor enlightenment.  The sprightly boyinitiated into the brahmachari fold through upanayanam was quick to learn the Vedasfrom his preceptor and was considered to be very adept in expounding thenuances of whatever he learnt. 

            One day when Vichara Sharman wasplaying with his friends, he saw a cowherd beating a cow with a stick as shehad butted him with her horns.  VicharaSharman stepped between the poor animal and its tormentor and told him that tobeat a cow was sin as all the 33 crore devatas were considered to reside in herand she is very important for survival of humans as well as for the continuanceof rituals.  He offered to take forth thetask of herding the cows from then on. The cow herd readily agreed as he was tired of managing unrulyanimals.  So, from the next day VicharaSharman took up cow herding as his duty after obtaining the permission of theelders of the village and in the morning after performing his ablutions herdedthem for pastures and once they had their fill would herd them back to theirmangers in the evening. The love and affection shown by Vichara Sharman drewthe animals to him and they started giving more yield than before whichsurprised the village elders who praised Vichara Sharman for discharging hisduties with care and concern.  This wenton for a few months.

            The cows which were experiencing an exaltedstate of happiness in the company of their mentor, would just pour out milk outof compassion.  Seeing good milk goingwaste in this way, Vichara Sharman started collecting them in small earthenpots and decided to use the surplus milk to perform puja to the Lord.  He took bath in the river Maniyar and in theshade of an Athi tree, made a Shivalingam out of sand and constructed theAvudaiyar (water spout) to allow the abishekam water to flow and performedabishekam to the Linga murthy with the milk obtained from the cows.  The cows had enough milk to give when theyreturned back to their manger and no one felt there was any loss of milk.  This continued for some months with the boyintensifying his puja. He would lead the cows to the pasture and then set aboutto worship the Lord whose image he would make every day from the river sand.

            One day one of the villagers who waspassing by was drawn by the chants of Sri Rudram coming from the place wherethe cows were happily munching grass and he observed Vichara Sharman performingabhishekam to the Shivalingam made of sand. He promptly reported this matter to the village elders who felt that theboy was stealing the milk and was engaged in some silly play.  They summoned Echa Dattan to the villagecouncil and complained to him about his son. The poor father who could not bear to have his name sullied thus, promisedto take action against his erring son if what they told was true. 

            The next day Echa Dattan decided tofind out the truth and went to the pastures without Vichara Sharmanknowing.  There he saw his son in deepcontemplation before the image of Lord Shiva made out of sand and performingabhishekam of milk gathered in earthen pots. Feeling frustrated at being let down by his own son before the villageelders, in a fit of anger, the hapless father took up a stick and startedbeating his son abusing him all along for bringing disgrace to his family.  Vichara Sharman was in another world andnever even realised that he was being subject to a verbal and physical assaultfrom his father and continued with his chanting of Sri Rudram pouring the milkover the Shivalingam as if nothing had happened.  This enraged the father even more and notrealising what he was doing, he kicked away the pot holding the milk kept forabishekam.  This act of insanity andsacrilege momentarily disturbed Vichara Sharman who picked up a stick and threwit at his father.  The stick assumed theform of an axe and chopped off the father’s legs who cried out in pain andcollapsed. 

            Vichara Sharman woke up from hisdeep contemplation and saw before him the spectacle which is very rare even forgods like Brahma and Vishnu.  He saw thesupreme Lord Shiva with His consort Parvathi on the celestial BullNandikeswara. The Lord embraced Vichara Sharman and said that with thisunwavering devotion he had earned for himself the most coveted post ofChandikeswara through whose hands should pass all blessings. Vichara Sharman’shuman body became a body of light and the Lord took a beautiful garland ofkondrai flowers from his head and placed the same on the head of VicharaSharman who thus was conferred the post of Chandikeswara. Echa Dattan andPavithrai also assumed divine forms and ascended the heavens – the fruit ofbeing parents of Vichara Sharman.

            The fruits of our prayers (Prasadam)always pass through Chandikeswara who gets the first worship after the Lord.  He is not offered any new clothes or flowersexcept those that adorn the Lord first. In all the temples of Lord Shiva, we find an image of chanikeswara justnear the water spout and it is held that one should not come in between theimage and the water spout.  Chandikeswarais always in deep contemplation and hence we should not disturb him. When wecomplete our worship in the main shrine and are given the Prasadam by thepriest, we should take the prasadam to the shrine of Chandikeswara and offerthe same to him and then only take the same. We should not disturb him from hismeditation and hence it is customary to only chant Shiva Shiva clapping ourhands gently three times (thala thraya)

            There are a few lessons to be learntfrom this episode. First and foremost is that we have to be kind to allcreatures. If we give those with whom we come into contact unconditional love,they will respond positively. To be drawn into worship of the Supreme is againnot given to all and sundry and only those whose previous karma phala is ripewill have this privilege. Hence to criticise them or to interfere in theirworship is something which will not be taken kindly by the divine.  Each person is unique and would followhis/her own path although the ultimate goal is the same. Some may beritualistic, some may follow the path of bakthi and others may go into selfenquiry. We should refrain from imposing on others our beliefs and faith andrespect their freedom to choose their own path in self emancipation.  Vichara means to enquire, and the story ofVichara Sharman needs to be contemplated by all of us in our mind when we standbefore the form of Chandikeshwara and seek his blessings to get the blessingsof the Supreme Lord.


           

Om Namaha Shivaaya

WORSHIPPING ANCESTORS

PARENTS, THE FOREMOST IN WORSHIP


Our Sanathana Dharma prescribes that we should worship our parents as the prime representatives of the Supreme. Matur Devo Bhava, Pitur Devo bhava says Taitireeya Upanishad.  In Tamil also there is a proverb – “ Annaiyum Pithaavum Munnari deivam” meaning that the Mother and Father are the divine to be known first.

We owe our very existence to our parents and if we wish to live a wholesome life, we need to take good care of them. It is the mother who opens our eyes to the world and in fact introduces our father to us. It is through them that we come to know about our relatives, kinsmen, customs and of course God. They take good care of us in our childhood and protect us from the dangers and miseries of the world.  As we grow up and become more exposed to the outer world and as our own knowledge grows, we tend to think that we know better than our parents and dub them as outdated.  This is more so with today’s younger generation which is highly tech savvy and feel that they are much more advanced than their parents and in the process come to the conclusion that their IQ is much higher. We can also say that parents today should definitely acknowledge that their children are much more advanced in their knowledge and thinking than they were at their age and should respect their independence.  But this is not what the subject matter of this essay is. It is about the duties of children towards their parents when they are alive and when they have passed on to another realm.

We have several stories in our Puranas about the significance of parental worship starting from Maha Ganapathi circumambulating His parents and getting  the coveted mango fruit,  Sravanakumar’s story in the Ramayana about his carrying on his shoulders his aged and blind parents on a pilgrimage when he is struck down by an arrow from the king Dasaratha, the story of Parasurama who instantly and implicitly obeyed his father’s instructions to behead his mother and got her back to life by claiming the boon his father granted for his obedience, the story of young Pundareega making Lord Vittalla wait till he finished serving his aged parents and so on.  Serving ones parents when they are alive is something which is stressed time and again by our scriptures.

When they leave their mortal coils, our parents join their ancestors in the Pitr loka and one should continue to worship them for without their continued blessings one cannot expect to lead a happy life.  The Pitrs have higher energy quotient than when they are cloaked in a human body and hence their blessings do matter. Pitrs are worshipped for three generations on both the father’s side and the Mother’s side.  This has some scientific backing as we are supposed to derive our chromosomes that form our characteristics from both the lineage and the mutation could happen over three generations.

The three generations are represented by Vasu, Rudra and Adithya. The Hindu pantheon talks about the existence of 33 principal gods comprising 8 Vasus, 11 Rudras, 12 Adityas and the two Ashvini devatas. These 33 gods are considered to have manifold forms which leads to the 33 crore devas

According to the Puranas, Vasus are children of sage Kashyapa and Aditi and represent the basic elements that sustain the earth like Agni (fire), Vayu (air), Prithvi (earth), Aditya (Sun), Antariksha (space), Akasa (sky), Chandrama (Moon) and Nakshatrani (Stars). They are related closely to the humans as they provide the basic requirements for existence of life on earth.

The Rig Veda states that Rudras are gods of the middle world – Antariksham or Bhuvar loka as they represent the life breath. Maruts are also gods associated with Air and life breath and sometimes considered synonymous with Rudras. There is also a belief that Maruts are sons of Rudras. Puranas describe the advent of Rudras in different ways, but agree that they are the forms of the Supreme God Shiva. Sri Rudram calls them as ‘Shambavaa Moorti Bedha’.  Initially Brahma the creator created this universe without any gender and there was no procreation and hence Brahma found that there was something lacking in His creation. His eyebrows were locked in deep contemplation. Out came a resplendent being crying out aloud ‘ Give me a name’  and started devouring all that Brahma had created till then. An annoyed Brahma asked him who he was and why he has set about destroying all that he had created whereupon the being presented a form of half man half woman (Arda Naree) and explained to Brahma about the previous creation and Brahma realizing his mistake started creating in pairs of man and woman in all species so they could procreate and multiply.  As the God who came out of the eyebrows of Brahma came out with a cry ‘Give me a name’ He was called Rudra – One who cries out aloud or one who makes others cry.  Another version states that Rudra was born the son of sage Kashyapa and Aditi.  There are eleven principal manifestations of Rudra attended to by eleven crore Rudra ganas. In the vedic period Rudras were worshipped as the vital force of nature which could assume both gentle and terrible forms.

Next come Adityas who are twelve in number and as the name suggests they are considered to be the sons of Aditi and sage Kashyapa.  They are protectors of the universe and bring forth light. Of them we worship Surya the Sun who is the sustainer of our planet.  As protectors they represent the concept of Vishnu as well as the self illuminating celestial bodies who occupy space.

Thus, while Vasus are related to the earth, the Bhu thatva, Rudras rule over the intervening space Bhuvaha and Aadityaas are lords of the timeless space Suvaha.  Thus in the worship of our forefathers we relate them to Vasu, Rudra and Aaditya as we consider them to be evolving from the earth plane and to move on to the vaster plane of ether or Akasa.  Hence, ones departed father or mother is considered to be of the Vasu form (Vasu Roopa). The grand parents assume the Rudra form and the great grand parents the Aaditya form.  With the addition of a newly departed person to the Vasu stage the one who is in the Aaditya stage automatically is considered to have moved into the final realms of Narayana and is deemed to have achieved Shiva padam or Sriman Narayana padam.  However this contradicts the theory of karma and the belief that until the soul identifies and merges with the supreme, it retains its identity and goes through the cycles of births and deaths.

One plausible explanation to this is that the divine beings of Vasu, Rudra and Aadityas who permeate the cosmos with their multifarious forms and aspects accept the oblations and prayers offered by the humans to their fore fathers and pass on the same to the respective souls who are worshipped.  While performing the Shrarda ceremony we come across a mantra ‘Anyathra yatho gajchantntu yathra eshaam gatham manaha’ which means ‘let this offering reach where the departed soul’s mind has gone’.

Garuda Purana explains in detail about what happens to the soul after death. It is mostly in the form of discussions between Lord Maha Vishnu and His mount Garuda bhagavan. Here is given the description of the soul passing through the various worlds and experiencing the planes of heavens (Svarga) and  Hells(Naraga) according to its karmic deeds (punya and pava) on the exhaustion of which its ultimately residing in the lotus feet of Sriman Narayana.  It is said that the soul gets another body from the pinda offered by the sons during the ten days after death and thereafter it travels to yama puri the abode of Yama dharma where they are judged according to their punya and pava and then sent to the heavens of hells. On exhausting their karma phala they fall back to the bhu loka to take another birth and the cycle goes on till they cut the bond through self realization.

The worship of the departed souls is done on the thithi (lunar day) of their departure from this earth once a year which is called pratyapdika shradda. Every month on the new moon day they are offered Tarpana – offering of sesame seeds and water to quench their hunger and thirst.  During the dark half of the month when the Sun is in Kanya rasi, the month of Purattasi in Tamil the Pitrs are supposed to visit their off springs and these fifteen days are held to be special days for their worship. Even if some one had not performed the annual shrarda ceremony, if he performs the worship of Pitrs during the Pitr paksha also called as Mahalaya paksha then they are delivered of their sins and are blessed by their forefathers.  The offering of Tarpana is not confined to ones immediate forefathers, but extends to all known and unknown relatives and kinsmen. The Pitrs worshipped during this period are called Karunika Pitrus meaning ancestors with great compassion.  It is said that to receive the oblations of the descendants the Pitrs keep waiting till the next paksha.

Now one may ask as to how offering water and food to brahmins one can be sure that this reaches the Pitrs? Maha Periyaval have explained this through an anecdote which runs thus.  A man who lived in a village and was not conversent with the modern times wanted to send some money to his son who was studying in a college in a far away place as the son wanted money urgently.  The perplexed man who did not know how to send the money physically to his son was guided by the local Post Master to send the money through Telegraphic Money order. The man was asked to pay the money in the Post Office for which he was given a receipt. The man wondered how this would go to his son and stayed back to watch how the MO clerk would send the money. He thought that the money would be put in a bad and strung across the telephone line which will then go physically to his son who would be able to pick up the same.  But this is fraught with risks as someone may take the money in between.  So thinking the man stayed back and observed that the clerk put the money received from him in a safe and cracking on the telegraphic device (now telex or fax). The clerk told the eager man that the money had already gone to the destination and his son would receive the same and explained that there is no need to physicallty send the money and the Post Office at the other end would give the money to his son.  Satisfied the man walked away and soon got a confirmation and thanks from his son that the money was received. 
Similarly the trinity of Vasu Rudra and Aditya ensure do this post office work and ensure that the offerings during the shrarda ceremony reaches the beneficiary in tact and in the way that would be helpful to them.

Apart from the offering of daily Tarpana both to ones ancestors  from both the paternal and maternal sides (varga dvaya Pitrus), a shradda ceremony is also performed during this period where unlike the normal shradda ceremony where only the Pitru vargam ancestors (Pitu Pitamaha Prapitamaha and Matu Pitamahi Prapitamahi) are worshipped, in a Mahalaya shradda, both the Pitur vargam and Matur vargam ancestors apart from the Karunika Pitrs who represent all the relatives who had passed away are offered Tarpana and worship.  This is also accompanied by feeding of the Brahmins which is considered to bring immense punya.  The story of how Karna after his death in the battle field ascended the heavens was given all riches but no food as he had not given food as charity and how he returned to the earth to complete the offering of food to the hungry indicates the importance of feeding the poor.  Anna (food) dhana is considered supreme to all other dhanas.  If anna dhana is performed during Mahalaya paksha it brings the blessings of the ancestors that the person will never in his/her life be wanting for food at any time. 

Visve Devas are representatives of the gods who lead the Pitrs in their sojourn to visit their offspring during the shrarda ceremony.  During the pratyabdika (annual) shrarda ceremony, the Vishve devas are Pururava and Ardraka.  During the Mahalaya Paksha they are called Dururuchi and Samyaka. They are the ones who create the link between the ancestors and their offspring and hence are worshipped first before the offerings are made to the Pitrs.  Lord Maha Vishnu presides over the ceremony as Shrarda samrakshaka (protector of Shrarda).

Worshipping of father and mother when they are alive is very vital for the well being of the children.  The joint family system that was prevalent about half a century ago has died and today we talk of nuclear families where there is no place for the elders who are driven to seek asylum in old age homes.  This is perhaps the greatest of sins as today we see the young parents tote upon their child (children are no longer there and it is usually only one child) and make a lot of sacrifice to make them stand out in their lives. Can they imagine that they too would have to go to the old age homes one day? 

Parents of today should also realize that times have changed and in order to make both ends meet, it is imperative for both the husband and wife to go for work and help each other in taking care of the family. If they feel that tradition is sacrificed by the woman not remaining only as a housewife (gruhani) and taking care of the tradition, the first seeds of discontent are sown which quickly grows to immense proportions with the quarrels and strife that brings stress into the lives of both the parents and children.  The best ways for today’s parents would be first to accept their children and their spouses as they are and nurture them and their children without involving too much on the day to day affairs.  Children should have the comfort to function independently, with the assurance that they can always fall back and depend on the elders for guidance and support.

Worshipping the ancestors is highly relevant as their blessings will take us through the trials and tribulations which we face and we will be blessed with good progeny which again will help us in our evolution as Pitrs when we depart from this world.

OM TAT SAT

Friday, September 9, 2011

SHIVA LEELA VIBUTHI - PART 1 (PUTTU THIRUNAL)


By Sri. S. Kannan
SHIVA LEELA VIBUTHI

It was raining intermittently and the river Vaigai was flooded, its flood waters reaching as far as the beautiful and magnificent temple at the heart of the city. Vaigai is not a perennial river and the flash floods were on account of the heavy downpour during the previous few days. The king of the Pandiyas, Arimardhana Pandiyan was a worried man. He did what every Pandian king before him did. He went to the temple of Meenakshi Sundareswarar and prayed to the Lord Almighty to guide him. In a flash he got the message to scale up the embankment of the river. The king beckoned to his minister and passed on his order “Let the embankment of the river be raised and let all able bodied men, one from each household in the city be commissioned to accomplish this task”.  The king had spoken and it was left to the executives to carry out his instructions in letter and spirit.

Out came the tom tommers announcing that all able bodied persons in the city of Madurai have been commissioned by the King to raise the embankment of the river. Men and women came out in the drizzle and leaving whatever they were attending to rushed to the river bank to do their mite to save their city.  Only the old and infirm remained indoors.

Vandhi was a poor old woman who earned a living selling ‘Puttu’ a sweet dish made of rice flour, a specialty cuisine of Madurai. She had no family and lived with her petty belongings near the temple tower. She heard the tom tom and turning to the huge temple she prayed “Oh Sundareswara ! Neither do I have the strength in my frail body nor do I have any relative to do the king’s bidding, lest the king’s men catch hold of me and accuse me for not obeying the directives of the king.  If they come and ask me who shall I depute on my behalf to work for the king?” The poor lady felt sad that she could not participate in the efforts of the others to save her dear city.

Turning around she found an able bodied youth with a basket and a shovel sitting in front of her. The man asked “Oh dear lady, what have you got here? The sweet smell that wafts from your vessel attracts me and makes my mouth water. Can you give me a handful of this wonderful dish and I shall surely do your bidding”. Looking at the hands and feet of the youth, Vandhi was not too sure whether the youth was accustomed to hard manual labour. As if reading her mind the stranger spoke "Dear grand mother, dont doubt about my capabilities. I can lift an elephant over my broad shoulders if I want to." Vandhi was overwhelmed. Here she had just made her submission to the Lord and as if in answer to her prayers this youth had come and is offering to help her. She immediately caught hold of the hand of the young man and fondly placed a leaf full of fresh, hot puttu. The stranger took his time relishing the delicacy and wanted some more and Vandhi obliged. This happened the third time and the old lady was only too pleased to offer her pudding to the young man whom she considered to be god sent to help her out of her predicament.

Having partaken of three helpings of puttu from the old lady, the youth marched on to the river bank with his basket and shovel hung over his broad shoulders. There he waited as if he did not know what to do. He was prompted by the others around to shovel sand from the river bank into the basket and throw the same at the embankment. The youth picked up his shovel and filling up mud from the bank went to the river and threw the mud, basket and all into the raging river. Then as if realizing his mistake, he jumped into the swirling river waters swam faster than the current and got hold of his basket. He then would swim to the centre of the river and float on the tree trunk being washed away. He would give a cry of joy in being carried by the river current and suddenly turn around and jump into the river and swim back against the current. This sort of playful frolic continued for some time which provided the others with a lot of entertainment and distracted them from their work too.

On reaching the bank, the youth feigned as if he was very tired after the strenuous work and laying the basket to his head lay down to rest and soon was fast asleep.  The king’s guards who were supervising the work were observing all this and soon came to the sleeping youth and tried to wake him up but to no avail.  At that time the king himself came to the spot to see what was happening and the guards promptly reported to him the antics of this stranger who had come as the representative of Vandhi, the old woman who sells Pittu. The king ordered that the young man be woken up and found that he was not to be awakened by the shouts and entreaties of his soldiers. Annoyed at such obstinacy even in the presence of the king himself, the king in a fit of rage picked up a stick from one of his guards and dealt the youth a good blow on his back and lo! Writhed in pain as the blow fell on himself as well as all the guards and all those assembled in the river bank, nay the blow fell on all living and non living things in the universe. Trees trembled, mountains broke into pieces, planets wobbled in their path, the gods wondered what had hit them and even Uma devi was not spared for were it not the Lord present in all beings and when the Lord was struck a blow, all the beings received the same.

It took some time for the king to recover, and when he did, he did not find the youth there. The river had subsided to a gentle flow and the sun came out shining from behind the clouds.  With the hairs standing on its edge, Arimardhana pandiyan fell on his face again and again realizing that he had just been blessed with the sight of the Lord who is dear to behold even for the holy trinity of gods. He felt that he had committed a very grave sin by striking at the Lord with a stick and prayed for his forgiveness. The place where this happened is called Arasaradi (Arasar - king and Adi - blow) in the city of Madurai. He instantly realized that all these had been brought about by his own folly in imprisoning his chief minister Thiru Athavoorar accusing him of embezzlement. He knew that Athavoorar had done no crime and he had only done the Lord’s bidding by renovating the dilapidated temple at Avudaiyar Koil with the funds provided by the king for purchasing horses from the merchants of distant land.

The king rushed to the prison where the savant was kept and falling at his feet begged his pardon. The saint was oblivious to whatever had happened as he was immersed in contemplation of the Lord Sokkanathar (The lord of bewitching beauty). When he came to his senses he found the king and his retinue begging his pardon. The king requested him to return to the palace and take back his portfolio of chief minister, but Athavoorar declined saying that the call has come from the divine. Then the divine voice spoke “Thou shall be known as Manicka Vachagam, the one with speech invaluable for its content like the precious stones. Be dedicated to me and sing my praises.”

rest to follow

OM TAT SAT

Welcome Ganapathi


WELCOME TO GANAPATHI 
Ganapathi, the chief of the pratama Ganas of Lord Shiva (Ganaanaam Pathi) is ubiquitous to the land of  the Tamils.  He is found everywhere so to say, under the pipal tree, on the bathing ghats near the rivers, in small wayside temples along the foot paths in the cities, why even in the compound walls of houses and of course He invariably adorns the place above the main doorway in Hindu houses as dispeller of evil eyes (Kan drishti).  Though He is worshipped across the Bharat varsha from Kashmir to Kanyakumari and from Assam to Gujarat and is offered the first place among the Gods as ordained by Lord Shiva, He is very dear to the Tamils and is affectionately called PILLAYAAR, the revered SON.  Whose son? (Yaar Pillai), the son of every house hold in Tamil Nadu and not merely the son of the Adhi dampathi (the first couple) Sri Parvathi Parameshwara. 

The deep connection of the Lord to the Tamil speaking parts of the country according to the sage of Kanchi Pujya Sri Paramacharya is because of a grand old Lady called Avvaiyar.  She was attracted to the beautiful child like form of the Lord from her childhood and prayed and got as a boon the looks of an old lady, lest she should be married off and hence would not be in a position to serve her Lord and humanity.  She has composed very many poems for the children which are steeped in moral values – the Dos and Donts so to say – called Aathi Chudi which to this day are taught to children at a young age. Maha Swami says that while the child (Pillayar) never moved and remained seated, His devotee the grand old lady Avvai was highly energetic and travelled from village to village counseling the people and helping them drawing inspiration from Her Lord, Maha Ganapathi. Her devotion to the Lord Ganapathi was so much that when her contemporaries Sri Sundaramoorthy Nayanar and Sri Cheraman Perumal Nayanar, two eminent Shaivites invited her to join them on their sojourn to Mount Kailash the abode of the Lord supreme, she politely declined saying that her prayer time had come and without any compunction she started her worship bidding the two savants god speed in their journey. The moment she finished her prayers, the Lord Ganapathi whisked her with one sweep of His trunk to the lofty mountains where she reached ahead of the other two.
Saint Avvaiyar has also sung a highly philosophical poem steeped in Tantric values called Vinayagar Agaval which speaks about the channeling of Kundalini Shakti in our bodies. The epithet Maha meaning Great is given only to Ganapathi and Lord Vishnu among the gods. Maha Ganapathi in Tantric science is the Lord of the base chakra Moolaadhara where the Kundalini shakti lies dormant as a serpent coiling herself around the base of the Shusumna Nadi within the spinal cord. Only with iHiHHH         His grace can the great power Kundalini Shakti be awakened and then she travels along the other five chakras to meet Her Lord in the crown chakra.
Vinayaka is not merely the remover of obstacles. He is also the creator of obstacles – Vigna kartha and removes them once His grace falls on the devotee – Vigna Hartha. That is why He is worshipped before the start of any auspicious event.  His brother lord Murugan (again very much dear to the Tamil household) could marry His lady love Valli only with His grace.  When Lord Shiva was requested by the devas to do fight and conquer the Tripurasuras, He mounted His chariot without invoking the Lord of Vigna and the axle of the chariot broke down. Lord Shiva quickly made amends and prayed to His son for success in His endeavour. As the story goes, the Lord never used the weapons against the Tripurasuras and with a smile burnt them and their cities to ashes.
There are many stories about Lord Vigneshwara and His advent.  According to the Vinayaka Puranam, He is the manifestation of the Supreme Brahman and He created the Trinity of Nrhama, Vishnu and Rudra for performing the functions of creation, protection and withdrawal. He pervades all and He is without parallel.  He manifested as the son of Sri Shiva and Parvathi when they prayed for His grace. He broke His tusk to fight the valiant Gajamukasura who when defeated became the Lord’s vehicle, the Mooshika (bandicoot).
His advent as Parvathi’s son is described differently in Shiva Purana. Parvathi went to take Her bath and wished not to be disturbed by anyone and she created a boy of unparalleled beauty from the sandal paste adorning Her body whom she ordered to stand guard at the entrance of the bathing ghat.  Soon Lord Shiva came and was stopped at the gate by the sprightly boy. When all the Lord’s entreaties failed to move the boy a fight ensued and the boy easily defeated all the Shiva ganas and also the mighty gods like Maha Vishnu. Ultimately to save His face Lord Shiva had to use His mighty Trident (an embodiment of Parvathi, Para Shakti) and cut off the boy’s head. Devi Parvathi was livid with rage and to calm Her, Lord Shiva sent his ganas to find the head of any being they saw first and they brought back the head of an elephant which was fixed to the neck of the boy and He sprang back to life.  He was made the head of Lord Shiva’s ganas and was called Maha Ganapathi.
According to Lalitha upaakyaanam (the story of the divine mother Lalitha) when Sri Lalithambika was fighting Bhandasura, She created Vigneshwara by just looking at the face of Lord Shiva Kameswara to ward off the obstacles (Vigna yantra) created by the demon. Vigneswhara playfully picked up the Vigna yantra and scattered it, breaking it into a thousand pieces.
He is called Kumara Guru, the guru of His brother Kumara or Karthikeya. Another story tells us about how once the two sons of Lord Shiva were given a contest of going around the worlds to gain access to a divine mango fruit. Lord Subrahmanya set off on His peacock while Lord Ganapathi remained stationed in His seat. The Lord slowly got up and circumambulated His divine parents and claimed the fruit. What a lesson ! Ones parents are ones world and they are the ones fit for worshipping first and foremost.
In the northern parts of our country, Lord Vigneshwara is considered to be the younger son of the divine couple Shiva Parvathi and is married to Sidhi and Budhi, His shaktis. Kumara or Karthikeya is considered to be their elder son and is unmarried. This is juxtaposed to the belief in the South that Lord Ganapathi is a bhramachari and is the eldest son of Lord Shiva – Parvathi. If we understand that it is only the manifestation of the prowess of the Lord which is deemed to be His consorts or Shakti, then we would know that in the North, Vigneshwara is the Mangal moorthi who like Maha Vishnu performs the functions of protection and preservation of the universe (Rajas Amsam) while in the south He is considered as an embodiment of Lord Shiva, the supreme yogi advocating withdrawal into the self and who leads His devotees into higher realms of spiritual bliss.
Vinayaka is considered to be the manifestation of the Supreme Bliss , Ananda incarnate of – Sat – chit – Ananda. He holds in His hand the Modhaka the embodiment of Bliss supreme (Modham – Bliss supreme). This unique dish contains an outer layer of rice flour with an inner core of coconut scappings mixed with jaggery, symbolically meaning that our life comprises both physical and spiritual quotients and both are to be enjoyed.  The taste of the outer layer sublimes into the sweet inner core called poornam, very aptly called so as our inner core is always Poornam meaning THE WHOLE as nothing is beyond our own inner SELF.
The Lord is also PRANAVA swaroopa meaning He is the first word – AUM. The three syllables denoting the three aspects of the Supreme Brahman. He is EKAKSHARA, the single syllabled one. Everything converges on the Lord. There is a beautiful piece of propitiation to the Lord called the Ganapthi Atharva Seersham. It worships the Lord in His immanent formless form. If recited with proper intonation, this is a supreme prayer which will destroy all three karmas (Prarabha, Sanchita and Akamika) and make the propitiator pure and radiating with Self.
The form of the Lord is very beautiful to behold. No matter ones age one loves to see the elephant and appreciate its majesty, its might in uprooting a tree or dexterity in picking up a pin with its trunk and wisdom. The Lord has an elephant face and the body of a child. The elephant face representing wisdom and might, the small piercing eyes twinkling with mirth, the large flapping ears seem to suggest that the God is a great listener and we can pour out all our woes into His large ears, The mighty trunk twisted to one side either holding the pot of ambrosia or touching the Modhaka in His left hand, A well formed tusk on one side and a broken one on the other. The Lord’s human body is very much chubby and child like. His pot belly can stomach all our offerings and submissions and He holds the Noose (Pasam) representing attachment (Raga) and the Goad (Ankusam) representing control of senses from running after sensual pleasures (Dvesham). His face itself is Omkaram personified. We can draw the Tamil or Samskrit OM using the Lord’s elephant face.
The Lord is called EKADANTA or the Lord with one tusk. How did He lose one tusk? According to the legend He was commissioned by sage Veda Vyasa to write the Maha Bharata. The Lord agreed on condition that Vyasa should recite the epic to keep pace with his tusk which He would use as pen.  Vyasa baghavan countered this with the condition that the Lord should understand the full meaning of the verse before scripting it. So it was a worthy contest between the pen and the flow, with Maha Ganapathi writing faster and faster and Vyasa making the verse more and more complicated. However according to the Vinayaka Purana, the Lord broke his tusk to chasten Gajamukasura as the demon had a boon not to be killed by any divine weapon.
The Lord’s form is huge, but He makes Himself so light as to be carried by a tiny creature, the RAT. This signifies that the Lord is easy to reach and carry. The rituals to worship Him are simple. To this day we find people young or old taking bath in rivers carrying a vessel in which they carry some water which is poured on the Ganapathi idol waiting under the tree in the river bank. Some water and flowers plucked from the nearby shrubs, such as Arka (Erukku) and Drona (Thumbai) which do not have any fragrance are okay with Him. He can be invoked in almost any object from mere mud or cow dung or a piece of turmeric or jaggery.  In marriages before the mass cooking begins it is customary to make Ganapathi out of jaggery and even offer a piece of the same Jaggery to the Lord as neivedhyam.
In the south we have the practice of striking our face near the temples with our fists clenched (thalaiyil kutti kolluthal) and also perform the Dorbi karanam (Thoppu Karanam). Funny as it would seem, this also has a story attached to it. Once Lord Maha Vishnu paid a visit to Kailash. The playful Maha Ganapathi picked up Lord Vishnu’s discuss Sri Sudharshana chakra and put it into His mouth. Maha Vishnu, powerless without His favourite weapon placed His two hands crossed over His face , clasped His ears and made sit ups. This funny act made the little Ganapathi roll with laughter and out rolled the Sudharshana chakra too which Maha Vishnu was quick enough to grasp. The knocking at the temples is a Yoga practice to kindle the Mooladhara chakra and so does pulling of the ears has a similar function.
Let us conclude with the celebration of the God’s advent Vinayaka Chaturti which is celebrated with great gusto and fervor in the southern and western parts of our country.  Once again the story part first. The Lord Ganapathi was once wandering over the three worlds with His baby gait and huge form which made the God Chandra (Moon) laugh with mirth. Quick to teach a lesson in propriety the Lord cursed Moon that he will wane away. The moon began to melt and hid himself in the lily flower. With nights devoid of the Moon the earthlings were suffering and hence the devas went to Lord Brahma to help them resolve the issue. Brahma the creator said that the only way out was to propitiate Lord Ganapathi and the Moon God Chandra did the same and god the Lord’s blessing to grow again which explains the waxing and waning of the moon. The day the Moon was cursed was on the fourth day of the new moon (Shukla Paksham) and the Moon god got cured of his curse on the fourth day of the full moon (Krishna paksham). So to this day it is believed that whomsoever see the moon on the fourth day after the new moon will be cursed and would be subject to vilification by all and sundry and hence need to propitiate Ganapathi. Lord Krishna also underwent the same turmoil when He was accused of abducting the coveted jewell Syamantaka from Sartajit. On praying to Lord Vinayaka.

Let us pray with all devotion to our dear Lord Gananayaka on this holy day of Shukla Chaturti in the month of Badrapada and be removed of all our obstacles and karma bandha and be immersed in eternal bliss.
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OM TAT SAT

Thursday, September 1, 2011

Sri Krishna Charanam Mama - Part II


An article by Sri S. Kannan :


There is no one book like the Ramayana which sets out the life story of the Lord in His avatara as Sri Krishna.  Ramayana is considered to be an Adhi Kavya written by Sage Valmiki who lived during the life time of Sri Rama and who in fact conceived the entire story even before the birth of Sri Rama as the son of Dasaratha.  There is a saying that the Lord came and lived the story envisioned by sage Valmiki.

In the case of Krishnavatara, Sage Vyasa composed the Srimad Bhagavatha Purana of 18000 verses which he gave to his son Maharishi Suka brahmam.  Like sage Valmiki, sage Veda Vyasa lived during the lifetime of Lord Krishna.  The 10th Canto of Srimad Bhavatham is devoted to the life and exploits of Lord Krishna.  The epic Mahabharatha, also authored by sage Vyasa, does touch upon important aspects of the life of Lord Krishna and in fact gives the Srimad Bhagavad Gita which forms the core of the Lord’s teachings.  Vishnu Purana also gives an account of the Lord’s Krishnavatara and so do the very many kavyas and books of later years.

We can consider the Lord’s avatar as Sri Krishna in three stages – from the time of His birth till His departure to Mathura for disposing of his uncle, the tyrant king Kamsa, His stay in Mathura and Dwaraka till the advent of the great Mahabharatha war and the period thereafter.

Kamsa, the wicked son of Ugrasena ascended the throne of the kingdom of Mathura after imprisoning his father and though fond of his sister Devaki, threw her and her husband Vasudeva in the prison when he heard the prophecy that his end would come of the eighth born of the couple.  He kept on killing the new born children of Vasudeva and Devaki till the seventh pregnancy was transported to the womb of Rohini another wife of Vasudeva who had taken refuge in the domain of Nandagopa, the chieftain cow heard of Vraja bhoomi across the river Yamuna.  The Lord was born as the 8th child of the divine couple and at the time of His birth revealed His form of Sriman Narayana to both his parents and directed Vasudeva to carry him across the river to the house of Nandagopa and switch him with the new born baby girl that Nandagopa’s wife Yashoda had given birth to.  The prison gates swung open and all the guards were fast asleep as if in a trance. Vasudeva carried his new born over his head in a basket and stepped out in a dark and stormy night.  Confronted with a river in spate he prayed for a moment and the river parted to give way to him to carry the Supreme being across. Like the guards in the prison of Mathura, all were fast asleep in Brindavan and Vasudeva safely deposited the child near Yashoda and carried back the baby girl Yoga Maya back to the prison when the baby let out a cry to instantly waken up the guards and bring the cruel Kamsa to the prison in the dead of the night with murderous intent.  Paying no heed to the pleas of Devaki to spare the girl child Kamsa took her by her ankle and was about to dash her to the ground when the child freed herself of his grasp and prophesied his death at the hands of Krishna and vanished. 

The Lord was born on the eighth day of the dark phase of the moon as the eighth avatar of Lord Vishnu (not considering Balarama as an avatar).  He would live for eight years in Brindavan growing up as the son of Nandagopa and Yashoda before returning to Mathura to free his parents and restore the kingdom to his grand father Ugrasena. Eight are the aishwaryas and Eightfold is the path of yoga. Eight is the number of syllables in the Maha Mantra of Sriman Narayana and eight again is the number of syllables in the title of this essay “ Sree Krishna charanam Mama”

Kamsa worried at having let go of Krishna, sent his messengers to search for and kill all the children born in the dark fortnight of the month.  Putana, the demoness who under the guise of a wet nurse suckled the children of vraja with venom to kill them came to Nanda’s house and took the baby Krishna to her bosom. The child playfully suckled her breast and sucked the life force out of her. The baby Krishna disposed of the other demons like Shakatasura who came as a cart wheel, Trinavartha who appeared as a whirlwind and Bakasura who took the form of a crane and grew up as a very mischievous child stealing milk and butter from the houses of the gopis and teasing and tormenting them that not a day passed without some gopi calling on poor Yashoda with some complaint or the other about her beloved son. On the other hand Balarama who was born to Rohini also considered to be an amsa avatar of the Lord Vishnu was dignity personified and played the role of a stern elder brother to the Lord (roles of Adhisesha as Lakshmana in Sri Ramayana reversed perhaps).

Unable to bear the tirade against her son Yashoda decided to admonish the prankster boy by tying him up to a mortar with a binding rope.  The child started crawling with the heavy mortar in tow and soon wedged the same between two trees standing close by. When Sri Krishna gave a tug, down came the two mighty trees and out sprung two divine beings thanking the Lord for giving them salvation from their curse to stand as trees.

Rest to follow:
OM TAT SAT

Intrepretation of Yugas


An article by Sri S. Kannan :


There is a confusion with respect to the reading of yugas as per our Hindu almanac and the archeological evidence on the periods of Sri Rama and Sri Krishna.  That is so because of our interpretation of the yugas.  In the constant movement of the constalletations across the universe creating the concept of time and space, the movement of our planet going around the Sun which is at the centre of our Solar system causes the time period of year and months and our earth's rotation on its axis causes day and night.  It is quite possible that our Sun along with its retinue of planets revolves around anothe Sun which perhaps causes the time concept of Yuga. 

Sri Paramahamsa Yogananda's guru, Sri Yukteshwar Giri maharaj has explained this concept in his book called Holy Science (Sairam has this book published by the yogoda sangh). According to him the time taken for our Sun to go around its focal point (could be another star in the spiral galaxy) is 24000 years which he divides into ascending and descending periods comprising of four chatur yugas as follows:

Kali yuga comprising 1200 years including two sandhis (intervening period between two yugas) of 100 years each
Dwapara yuga of 2400 years with two sandhis of 200 years each
Treta yuga of 3600 years with two sandhis of 300 years each and
Sathya yuga of 4800 years with two sandhis of 400 years each.

According to the Mahabharata and other puranas, the above will have to be multiplied by 360 since they represent Deva years and for the Devas one day is equal to one year for the humans. If you do so, then the number of years of each yuga will be - Kali -  432000 years, Dwapara - 864000 years, Treta - 1296000 years and Sathya - 1728000 years which perhaps is discounted by Sri Yukteshwarji as a corruption that crept in during the dark Kali period. According to Sri Yukteshwarji once the cycle of four yugas is completed beginning from the Satya yuga to Kali yuga, then once again we start with kali yuga and proceed to the Sathya yuga. and we are now in the ascending Dwapara yuga and we have passed the ascending kali Yuga between 500 and 1700 AD, with the descending Kali yuga from the previous chatur yugas ranging between 700 BCE and 500 AD, the previous descending Dwapara yuga ranging from  2000 BCE to 700 BCE and so forth.  With this we can to some extent correlate the dates of Sri Krishna and Sri Rama as per the archealogical evidence available.  We should not lose track of what the modern scientists hold as the beginning of civilisation around 10000 years back.


By logically extending this theory upwards, we can imagine that the second Sun that Sri Yukteshwar maharaj had propounded might be revolving around another Sun along with its retinue of suns and planets which might give rise to a much larger Chatur Yuga comprising 12000 years of Kali, 24000 years of Dwapara, 36000 years of Treta and 48000 years of Sathya making a total of 1,20,000 years. This theory can be expanded manifold since there is no limit to the universe as comprehensible to the human mind.

Sri Rudrabhayananda has mentioned in one of his books that the entire universe revolves around a core which is called Brahma Nabhi which is the central point representing the start of creation where time and space are still. While it is impossible to comprehend where we are positioned in relation to this central point as we do not have a full view of the universe, we can safely presume that this postulate has the backing of science which believes in the big bang theory of orgin of the universe through a central point.

As it is difficult for us to comprehend the nature of time and space which are relative and not absolute, the confusion arises. Our puranas further confound us with such distortions as there was no single source for the puranas. Even the Lord says in Mahabharata that He has incarnated as Krishna along with Partha 28 times previously.

I do not know whether I have added to the confusion or not, but suffice to say that we accept what we can rationalise in our minds rather than believe in something which is given in the puranas as a matter of faith.

OMTATSAT

Some discussions on Avatars


An article by Sri S. Kannan :

Here are  three important questions :

1.  Why Sri Narasimhar is considered to be a purna avataram of Lord Vishnu?
2.  Which Avatara preceded and Succeeded Krishna Avatar?
3.  Krishna played a significant role in the Mahabaratha besides his teachings in the Bhagavad Gita.
Let us take these one by one.
According to me there is no big difference between a purna avatharam and an amsa avatharam.   The manifestation of the Supreme in such Amsa Avataarams is limited  to the accomplishment of a particular event that the Divine takes a form and descends to fulfill.No doubt the purpose of Narasimha avataaram may be deemed to have been accomplised once Hiranyakasipu was slain.  But if you look closely, the purpose of the avataaram was not to slay Hiranyakasipu, but to establish the fact that God pervades all things and is ever present in every thing created. He descended not merely for saving the devas and the world from the tyranny of Hiranyakasipu, but to fulfill the truth proclaimed by his beloved devotee Prahlada that his Sriman Narayana is present in pillar or dust.  He was angry that Hiranyakasipu doubted this truth and wanted to test the same by using his mace against a pillar.  He took the Man Lion form because that was what Hiranyakasipu wanted - that he can be conquerred by neither man or beast, neither inside outside the house and neither during day or night.  We always feel that we are wiser than God and feel that we are invincible without realising that it is He within us makes us feel so and makes us pay the price too.  So Sri Nrisimha is considered to be a purna avataara since to this day His divinity can be perceived by those who stand by their conviction that God pervades all.  Another thing that occurs to me is that Sri Nrisimha is none other than Lord Sudarshana the divine discuss of Sriman Narayana.  Sri Sudarshana is Lord Maha Vishnu and Lord Maha Vishnu is Sri Sudarshana who is the embodiment of Time, Space and Cause and effect or the eternal manifestation of the Supreme.
The various avataarams taken by the Divine are described differently by different puranas.  The most accepted version is that Sri Krishna Avataaram is preceeded by Sri Balarama Avataaram and followed by Sri Kalki Avataaram.  Some of the modern pundits consider Gautama Budha to be an incarnation of Lord Vishnu, perhaps to provide a bridge between Buddhism and Hinduism.
The entire life of Lord Krishna is significant right from his birth to Devaki and Vasudeva, His growing up in Nandagopa's household, His pranks at vraja bhoomi, so on and so forth.  With His grace some of these can be covered in the next part of Sri Krishna Sharanam Mama. The different aspects of the Lord are worshipped in the different places you have mentioned.  In Pandaripuram He is with His consort Ruckmani waiting on a slab of brick for his devotee to come back from the service of his parents. In Udipi He holds the churning stick as He did in Vraja as a young boy. In Guruvayoor He shows His aspects of bala Krishna as well as His form of Sriman Narayana. To some extent what you say is correct. The forms of the Lord follow the cultural tradition of the place, but in most cases it is how He manifested to some divine soul who had captured the same in the form of art.
You have also asked about the necessity of the Lord taking more than one avataaram at a particular time. The case is Parasurama - Rama and Balarama - Krishna.  The purpose of Sri Parasurama avataaram is different from Sri Rama avataaram and so is the case of Sri Balarama and Sri Krishna.  While Sri Parasurama incarnated to curb the menace of the kshatriyas, Sri Rama lived as a human to show the way to mankind and to deliver the worlds from Ravana.  Sri Balarama is considered to be an aspect of Adhi Sesha (like Sri Lakshmana who is not considered to be an avataara although all the other three brothers are also Amsa of the supreme Maha Vishnu) and His purpose was to annihilate the demons and be with Sri Krishna.  So, the Divine incarnates to establish dharma at different points of time leading to multiple manifestations according to the requirements.  If as Sridhar suggested Sri Krishna has to take one more avataaram now in India, I think one avataaram might not be sufficient !
The 22 Avataarams of the Lord are listed in Baghavvata Puranam. It includes apart from the normal 10, amsa avatarams like Nara, Narayana, Naradha, Kapila, Vyasa, Dattatreya, Danvantari, Mohini, Yagnya,Rishaba, Pruthu,and Buddha. The same purana says that the avataaras of the Supreme are limitless.  As Bhagavan said in the Gita, He incarnates again and again to protect the satvic and to destroy the wicked.
OM TAT SAT

Sri Krishna Charanam Mama Part - I


An article by Sri S. Kannan :
Sri Krishna

Avatara means to descend.  The descent of the Divine in a human form is called Avataaram or incarnation.  There are many incarnations of the Supreme Being Sriman Narayana.  According to the Bagavatha purana, there are innumerable avataras of the Supreme Lord of which it lists out 22.  Most popular are the 10 avataras called Dasavatharam of Lord Vishnu.

Of these avatarams only three avatharams namely that of Nrishimha, Sri Rama and Sri Krishna are considered to be poorna avatharam while the rest are amsa roopa avatharams. Even though the avatharams are believed to have happened eons ago, with the first four of the dasavatharams happening in the Sathya yuga, Sri Rama avatharam in the Tretha yuga and Sri Krishna avtharam in the Dwapara yuga, going by archeological and literary evidences the dates of Sri Rama and Sri Krishna are believed to be about 10000 and 6000 years ago.  That divinity walked this earth in the forms of Sri Rama and Sri Krishna as borne out by the classics Ramayana and Maha Bharata composed by Sri Valmiki and Sri Vedha Vyasa whose dates could probably be estimated and the other archeological evidences in the form of the presence of various temples and monuments that adorn the sites related to the events captured by the epics.

Sri Krishna proclaims in the Srimad Bhagavad Gita that whenever there is a threat to dharma He incarnates Himself to protect the righteous and to bring to end the wrong doers.  So, what could possibly be the purpose of Sri Krishna’s advent as the 8th child of Vasudeva and Devaki.  If it were to merely kill a tyrant king Kamsa and the demons sent by him, which could have been accomplished much more easily through amsa manifestations rather than the Supreme setting forth to live a full life among mortals, subjecting Himself to being chastened by his mother and other Gopis for his pranks and enduring with a smile the abuses of the likes of Sisupala and Jarasandha and taking on the reins of the chariot horses of Arjuna in the great war of Kurukshetra.

In the incarnation of Lord Sriman Narayana as Sri Rama, He always maintained the garb of a mortal human being to fulfill the vow of Ravana that he cannot be annihilated either by the celestial beings or beings of the nether world – “atmaanam manusham manye Ramam Dasarathaatmajam”. True to the human form He had taken the Lord had His own moments of vacillation like the killing of the Vanara king Vali and in the Agni Pravesam of Devi Sita, not once but twice. Very few like the sages Vashishta, Vishwamitra, Gautama and Agasthyar knew about the incarnation of Lord Vishnu as Sri Rama.

 In Krishna avataram the same Lord never hesitated to display his divinity right from the time of his birth.  When the time came for the Lord to manifest Himself as the eighth child of Vasudeva and Devaki in the dark chambers of the prison where they were confined on a dark and stormy night, the entire cellar began to glow with His radiance and He showed to both Devaki and Vasudeva His real form with four arms holding the divine weapons. “Tam Adbutam Balakam Ambujekshanam chaturbhujam …” Then came the instruction to Vasudeva to carry him across the river Yamuna to Vraja bhoomi to be left there in the care of Nanda and Yashoda, the encounters with the demons Puthana, Shakatasura, Bhakasura and finally the playful killing of Kamsa all within 8 years of age.  Now if the purpose of the advent of Sri Krishna was Kamsa vadham, then this was fulfilled and He could have ended His avataram.  To my little mind it occurs that the advent of the Supreme was to give to the world a treatise par excellence in the form of Srimad Bhaghavad Gita, which is the quintessence of all our vedic learning. 

We consider our Vedas to be anadhi in the sense that we cannot fix a date of origin for them.  It is believed that Vedic Mantras revealed themselves to the Rishis who propagated them by word of mouth through their disciples.  Sri Vedha Vyasa did a yeomen service to mankind by collecting the Vedic hymns that lay scattered and organized them into various branches (Shakas) for posterity. The Vedas as you know are very vast and it would definitely take a life time of study even if one had to master the hymns under his own shaka. Upanishads or Vedanta give in a nutshell the essence of the vedic teachings to which they belong.  Nevertheless they are quite abstract for a lay man to pursue and understand. If all the Upanishads can be likened to cows, the adept cow herd Gopal milks them for the benefit of the child Partha.
More in the next part.
OM TAT SAT

Gayathri Havan


An article by Sri S. Kannan :


Normally three ingredients are used in the performance of havan or fire sacrifice.  They are Samid (twigs), Annam (food) and Aarjyam (Ghee).  You would understand that to keep the fire burning both twigs and ghee are required and the food (could be cooked rice or havis or any other form of food which is pleasing to the deity to be propitated like sweet pongal, masha poopam, etc)
The pipal tree is called as the king of trees - Vruksha Raja.  It is also believed that it is an incarnation of Lord Vishnu (Ashwatha Narayana).  It has a lot of medicinal properties.  It is called Arasa maram in Tamil and wherever there is a Arasa maram, there would be an image of Lord Ganapathi installed at the base.  It is also considered to be the embodiment of Lord Shiva.  In south India, especially in the Mariamman temples you would find the Pipal tree growing along side Neem tree.  The neem tree is considered and worshipped as the embodiment of Para Shakti and it is not uncommon to have the Pipal and Neem trees grown together (Arasukkum Vembukkum kalyanam) which is considered as the Shiva Shakti form.  Both the trees are circumambulated (pradakshinam) in the morning which is believed to cure one of incurable diseases and bestow good progeny ( sorry am reminded of the Tamil proverb - Arasa marathhai sutri vittu adi vayitraith thottu parthaalam) perhaps owing to the medicinal properties of both the trees.  It is also believed that Lord Budda reveived enlightenment under the pipal tree which is also know as the bodhi tree.
So, it is but natural that the twigs of a tree of such wonderous properties is used in the fire sacrifice, obviously for its religious significance as well as its medicinal properties.  Perhaps Rohan would remember that he was given a pipal branch during his upanayanam ceremony as a symbol of brhamacharya ashrama.   Brahmacharis perform fire sacrifice using the pipal twigs which is also used in other sacrifices as well.  When someone says samithu (twig) for sacrifice, it is inferred that he is talking about the pipal samithu.   
Now coming to Dharbai, it is a weed that grows abundantly on river beds and is used extensively in the performance of religious rites.  I am enclosing an article on the properties of dharbam which makes it an essential part of the religious sacrifices.I would request all to kindly have patience to go through the article which contains very useful information.
Suffice to say that whatever rituals we perform, does have a profound meaning and as long as we show interest in knowing what they mean, it enhances the benefits derived from their practice.  I sincerely compliment Rohan for his urge to know what he is doing.
OM TAT SAT